palais de dance nottinghampalais de dance nottingham
Fig. lol anyway attende every palias dayer and all the niters that followed d.jed ther in the bali hi saturday nie session i used to run in the early 80''s we used to do that then get a taxi to stafford's top of the world awesome times used to attend with mick .h ,dennis lambert , shaun turner, dave taylor ,tony garnett, the brit crowd of the day plus the colemans regulars. Paste as plain text instead, "useRatesEcommerce": false for this article. Affordable luxury was a key part of their attraction. . never missed a soul do there, from feb 78, until 83 (then the bank hol sunday nights , late 90's). Used to go to colemans at the weekend, upstairs i think, we would just walk round and round and round, crazy. 75 Stone, Richard and Rowe, D.A., The Measurement of Consumers Expenditure and Behaviour in the United Kingdom, 19201938: Volume II (Cambridge, 1966)Google Scholar. Contact, loveslure @gmail.com, Drinking, snooker, pool, birding, football (NOTTS COUNTY) bringing up my kids, fishing and photography especially Aviation, Motor racing, Karting, My Dogs, Guitar, Photography, Gunsmithing Jetski. See also Ward, Colin and Hardy, Dennis, Goodnight campers! The Palais De Dance with Jack O'Boyle. Adrian Tilbrook was drummer for The Ivor Kenney Sound at Leicester's Palais de Danse in 1968-69, Mike Miller in the days when he used to perform at the Palais de Danse in Leicester's Humberstone Gate, A recent photo of drummer Adrian Tilbrook who played with The Ivor Kenney Sound at Leicester's Palais de Danse in 1968-69. By Loved the Palais in the late 50s and early 60s. "Other vocal duties were carried out by bass guitarist Fran Black, who had played with the famous all-ladies Ivy Benson band. The lighting comprised a series of large exotic lamps in translucent glass, decorated with a mixture of Art Deco and oriental patterns to resemble stylised Chinese lanterns, supplemented by the dramatic use of changing coloured spotlights focused on the dance-floor fountain. Its emergence and popularity following the First World War reflected improvements in the social and economic well-being of the working and lower-middle classes. The Palais de Danse is Nottinghams most famous nightclub. In the Locarno, Bradford, also opened in 1961, the Ladies' Boudoir included 45 full-length mirrors and was decorated in a Georgian style. My late father Tug organised one event, it was through this that I knew Uncle Fred and Aunt Adela, I heard of this from Adela and others. Keith also told me that Ric Lee is writing a book and once some legal wrangles are sorted it should be published under the title From head stocks to Woodstock. Despite the nod to classical tradition in much of its external architecture, the Hammersmith Palais embraced modernity in its role as an important venue for the introduction of jazz to Britain. @ MAK - thanks for the kind words and no she was from Cotgrave :-), @ Steve Phillis- I remember you very well. Lots of similarities for me, meet at the Man in Space at Hiltop, jump on the bus from Ripley to Nottingham, mooch down Parliment street I think and into the queue. It was known as Greyfriars Hall and was opened by the Lord Mayor of Nottingham, Walter Wessen, on 8 October 1929. Fig. Your post is pure nostalgia. 7), designed by Clement Stretton and George Nott and opened in 1926, drew particular praise from The Builder for its elegant arcaded faade with neoclassical swag decoration.Footnote 47 The Astoria Palais de Danse in Bolton (Fig. We had a change of name (same line-up) to Our Young and played there 03/07/1966, 09/10/1966, 26/12/1966 and 21/01/1967. Mecca was particularly forward-looking and worked hard with local planners to ensure that its dance halls were at the heart of Britain's new town and city centres, the Locarno, Coventry, discussed below, being a significant example.Footnote 67 Similar shopping-centre dance halls were opened by Mecca in Portsmouth and Basildon (where it was also called the Locarno), and Birmingham (the Mayfair). and The Builder, 9 September 1960, p. 471. met my girlfriend of the time Sue Elliott daughter of Gerry Elliott ex sheriff of Nottingham and overman down Gedling pit, nearly crapped myself when I started working there and saw him. The movement was inspired by Cunninghams childhood game of skimming stones over a pond. had a good atmosphere as well. By this time our small gathering of Gedling lads had certainly grown in size. It was just like being in the Palais in 69 again except for the white hair ( on me as well as some of the band ). Still see Kempy and Gail on a regular basis. You think I get spare time after managing this lot? But my relationship with this venerable Nottingham landmark started much earlier in my life and carries much more emotional attachment than simply being a placed where we danced our youth away to great dollops of soulful tunes and partaking of a chicken in a basket meal if we saved enough pennies to purchase grub in the restaurant downstairs. We use your sign-up to provide content in the ways you've consented to and improve our understanding of you. There were dance halls constructed in buildings converted from other uses, purpose-built dance halls, and dance halls in multi-purpose entertainment buildings. Anyone with any memories? This crowd was going to get bigger as the day progressed. From the mid-1920s to the mid-1960s, the dance hall occupied a pivotal place in the culture of working- and lower-middle-class communities in Britain. 61 Nottingham Evening Post, 9 November 1929, p. 6. My dad was always smartly dressed and I use to love watching him getting ready for work complete with his bow tie and liberal spraying of Cossack for Men hairspray (it was the early 70's ffs). By Although dance halls were comparatively egalitarian spaces, this quality should not be overstated. Building began in the city's Frogmore Street in 1963 and was completed in 1966. I believe he was a big pusher of that particular tune. Wendy Northern Soul Cinema Theatre Vaudeville Theatres Auditorium Courtesy Opera House An Article from arthurlloyd.co.uk. Wright, Catherine For example, at Tony's Ballroom in Birmingham, in the mid-1930s, there were two halls with sumptuous interiors on an Eastern theme. 99104. Ling, recognising that the removal of traffic might leave the precinct empty once the shops were closed, worked hard to keep the area alive by introducing new uses to the precinct. 6. I used to work part time evenings in the bar at the Palais during the 1960s. It is possibly best remembered by club goers as the Ritzy and by clubbers across the The larger of the two, the Majestic, was decorated to represent a mosque, with prayer mats hanging from the walls and a star-painted ceiling.Footnote 88 The exoticism continued in the names of the lounges the Alcazar Lounge and the Baghdad Lounge. I boughtboth of them from Selectadisc but unfortunately they "disappeared" over the years. New dances were formulated to accompany the new music and were deliberately designed for couples (most notably the foxtrot). In later years it was Yates wine lodge for a couple of so called "Australian white wines" you could chat anyone up with a few of them inside you :-)). Subsidiary facilities included a large restaurant located off the main space and a caf surrounding the dance floor, together with a separate ice cream soda bar.Footnote 46. Sound system was dodgy and times, but the tunes were still good. This ballroom dancing hall had an unusual dance floor created from oak and walnut mounted on 560 spiral springs, an area of 6309 superficial feet which could hold approximately 600 dancers. He added: And then running back just in time to change into awful, long brocade jackets and start the change over with Mike Millers trio and us simultaneously playing The Rise and Fall of Flingel Bunt aboard the revolving stage. My name is real and feel free to contact me with any information. [5], In 1957, the name was changed to the Sherwood Rooms. The new dance halls of the late 1950s and early 1960s were typified by sumptuous, colourful interiors along coordinated, modern lines in the Contemporary style. Seizing on the popularity of these venues among the growing numbers of working-class holidaymakers on the coast, entrepreneurs established dance halls up and down the country. 75962. Memories from 1959 I met a tall good looking lady at the Palais de Dance in 1959 married her in 1961 and we headed to New Zealand in 1962. Rob Smith was forever hammering it but it just sounded so good blasting through that sound system. The one who lived down Colwick was still doing a solo turn in pubs and clubs, a couple of the others still toured as "Paper Lace" and did an absolutely brilliant version of "The Sabre Dance". In the 1920s, the class profile of the Nottingham Palais varied from day to day, as private functions closed the hall to the general public and attracted a more specialised, usually middle-class audience. In its first nine months, it hosted the Original Dixieland Jazz Band on tour from the United States and, subsequently, other visiting American bands, notably Sidney Bechet in 1920.Footnote 38 It also attracted many of the best dance bands in Britain. also a Big Rob Smith spin during those days was Hank Diamond-Soul sauce, another was the Motown girlie spin: Hang on Bill-Little Lisa. It was owned by the Mecca Leisure Group. 34750. History. 32 See MOA, MDJ, 3/A, C.L. Your first impression is of the red glow of the room red walls, predominantly red carpets, orange and red lights [] The room is crowded. Consumerism expanded, with home ownership among manual workers reaching 40 per cent by 1962.Footnote 80 The architecture of the dance hall reflected this further democratisation of pleasure, the new centrality of the working class to national life, and a new version of modernity. The Palais de Danse on Humberstone Gate, Leicester Many readers will remember The Ivor Kenney Sound, the resident band, during the 1960s and 70s, at Leicesters Palais de Hi John, yes great days, wonderful memories of our younger days. 13 Readers are invited to email the author at jjn4@st-andrews.ac.uk with details of any buildings remaining. up to 2s. 53 The Builder, 14 November 1924, p. 759. Originally named the Palais de Danse when it opened never missed a soul do there, from feb. View all Google Scholar citations Enhancing the escapism of the dance hall were the crucial sensory pleasures it provided. Mrz 2009 in Edmonton, Kanada.Der europische Teil der I Am Tour begann am 26. Hi Bill and John. As we got a little older we would brave the Crystal Palace pub and buy our pints of bitter shandy, to give us a little more courage to maybe actually chat the young ladies up! The two I remember most at both the Palais and Coleman's were the Malibus - Gee Baby (I Love You), and Johnny Ross and the Soul Explosions' version of I can't Help Myself - a 200mph belter. 84345. I remember the Jbirds and also my late husband Johnny Gold playing there. No booze was sold there in there in those days, just coffees, tea and soft drinks in the wee Cafs: - Cupid's Bar Dancers were thrilled by the opportunity to let themselves go. The floor consisted of light grey marble-effect tiles, interspersed with a starburst design, and the walls were clad in alternate wood laminate and fabric panels, with black leatherette quilted panels, which adding a feeling of softness and luxury to the scheme. The colourful and refined interior of Derby's Palais de Danse (Figs 14 and 15) demonstrates the level of glamour in leading dance halls. The Palais de Danse on Humberstone Gate, Leicester. Saw Gene Vincent, Rocking Berries, Barron Knights, Mike Berry there and many other bands, Sunday night was the best time. It was in the underground ballroom at the Welbeck Abbey. Used to have aquick drink in the Horse & Jockey just across the road back in those days., as did many Palais-De-Dance fans. dances at the Clinton Rooms on Thurland St.,.Saturday evenings were O.K but Wednesday nights were known as grab a Granny night. 99103, and Architectural Review (June 1961), pp. Chinese motifs were repeated throughout the dance hall, particularly in the trelliswork and painted panels that replicated oriental paper screens, backlit to enhance the artwork's colours and effects. We reverted back to the name Our Young. If I remember Monday Night was for a younger crowd and we were always trying to get in the Bali Hi downstairs. My information will not be shared with any third party (see our Privacy Statement - opens in a new window). We would always aim to get in the queue early and watch it build as worshipers from all over arrived. Most ballrooms included balconies around the main dance floor where patrons could promenade and watch the proceedings below, while allowing the considerable airflow required for what could be a strenuous activity. He remembered the bands female lead singer, Pandora, was married to the Palaiss manager. Not only the dance music, but also people talking, laughing, whispering and of course dancing all created a unique soundscape.
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